Exhibition: End of Year Show, St Mary-in-the-Castle, November/December 2010

End of the Year Show: November/December 2010


A Soco members exhibition in St.Mary-in-the-Castle included artworks from across the spectrum, with good use being made of the atmospheric crypt area, including an on-going wardrobe installation by Louise Kenward, delicate veneer constructions by Patrick Burton and a paper sculpture by Judy Dewsbery.

 Works from the exhibition

Eugene Palmer, Counting Sheep, oil on canvas Jean Davey-Winter,From Lynn's Roof Terrace, mixed media Paul Bartholemew, Convoy, acrylic on canvas. Angela Braven, Fishing Beach, seen from the East Hill, acrylic on canvas
Tim Cross, Hastings & St Leonardsopoly, archive print Marilyn Hallam, Catch August, il on canvas  Louise Kenward, Wardrobe installation Patrick Burton, Foreshore, wood metal acrylic

 Louise Kenward:  Wardrobe – work in progress

 

       
Louise Kenward, Wardrobe installation Louise Kenward, Wardrobe installation    

 

Wardrobe, closet, cupboard, cabinet, press, armoire, drawer - spaces hidden, contained, sometimes secret. Things are kept within, on top, at the bottom, out of sight. Private, personal, intimate spaces. Spaces of fantasy and wonder – the possibility of worlds beyond. 

Mr Ben comes to mind in thinking about the possibility of what lies within a wardrobe, dressing up and other states and places we can go to depending on what we wear. Although my principle interest is in the furniture itself, bedroom furniture. In ‘The lion, the witch and the wardrobe’ it is a transitional object, from one world to another, and considered by some as a Christian metaphor. 

Things kept at the bottom of the wardrobe can be secret, special, long forgotten. A place for letters, photos, things we hang on to but don’t use or look at until a ‘spring clean’ or tidy up. Rediscovering these items can trigger a re-look, reminiscing and transport us to other internal spaces and worlds long forgotten.
We hang on to things, and this can be a space that allows us to do so. A clear out can be a significant step in letting go of the emotional attachment and associations we have with the things we have kept there for so long. 

This was my nan’s wardrobe. I inherited several pieces of furniture and this is something I like for its size and shape, but is not very useful. It has moved around to different places, and is something I can’t part with but can’t find a practical use for either. It seemed a useful starting point in working with this space at St Mary’s in the Castle, the crypt and its alcoves having long been a place I have wanted to work in. So using this object as a starting point to explore the space within and my own internal space seemed like a useful one.

I will spend time each weekend working in this space to experiment and translate ideas of working with the space ‘between’ (e.g. the internal and external; the real and unreal). I will document this in photographs and display these to map my development between the start of the exhibition and the end.

Louise Kenward, 31st October 2010